Dust Devil
May 21st, 2008, 12:53:49 PM
Just keep cool. I'm on the job meeting a detective State side, show the cards, and that's that.
A silver '06 Ford Explorer idled in line at the Thousand Islands Bridge crossing. The driver, a man of native decent, dressed in plain clothes, leaned back in his seat and drummed on the steering wheel to The Edgar Winter Group's Frankenstein.
Oh thank God Davis is in the booth. No worries now. I love this drum solo.
The line moved forward and now the SUV sat just before the booth behind a burgundy '91 Plymouth Sundance. The custom's officer stepped out and went through the standard script. While the driver in the Sundance shared the details the song playing in the Ford changed to Got Me Wrong.
Alice in Chains. "As of now I bet you got me wrong. So unsure you run from something strong."
The car moved on and the stoplight bolted to the booth changed from red to green. Hey Davis. The Canadian man gave a wave to Davis as he again stepped out his booth, this time having to adjust his belt. The music's volume dropped to nothing.
"Identification please." Davis asked plainly as the driver's card fell into his hand. "Purpose of visit, and length of stay Constable Anders?"
"Consult on a case. The rest is classified. I'll be here in New York State for a few weeks."
"Anything to declare?"
"I've got a pack of Tim's donut holes and a large triple-triple in the back."
"I'm afraid I'll have to confiscate those," he said with a smile. "Thanks Nick."
"No problem John. Say hello to Shelly and the boys for me." Nick said out his window to John as he lifted the rear door up.
"When you're on your way back give a call and stop in for a visit. We'll have a barbecue." Davis said after closing the door and walking up to the driver's side.
"Will do. Have a good day John."
"Safe travels Nick."
Thanks John.
The customs officer went back into his booth and sipped his coffee while the SUV pulled away and continued down Interstate 81. Nick turned the volume back up. The words "Die Waffen - Legt an!" barked from the speakers in Frank Klepacki's most notorious work Hell March. In this case Hell March 2.
I wonder what that translates into?
A silver '06 Ford Explorer idled in line at the Thousand Islands Bridge crossing. The driver, a man of native decent, dressed in plain clothes, leaned back in his seat and drummed on the steering wheel to The Edgar Winter Group's Frankenstein.
Oh thank God Davis is in the booth. No worries now. I love this drum solo.
The line moved forward and now the SUV sat just before the booth behind a burgundy '91 Plymouth Sundance. The custom's officer stepped out and went through the standard script. While the driver in the Sundance shared the details the song playing in the Ford changed to Got Me Wrong.
Alice in Chains. "As of now I bet you got me wrong. So unsure you run from something strong."
The car moved on and the stoplight bolted to the booth changed from red to green. Hey Davis. The Canadian man gave a wave to Davis as he again stepped out his booth, this time having to adjust his belt. The music's volume dropped to nothing.
"Identification please." Davis asked plainly as the driver's card fell into his hand. "Purpose of visit, and length of stay Constable Anders?"
"Consult on a case. The rest is classified. I'll be here in New York State for a few weeks."
"Anything to declare?"
"I've got a pack of Tim's donut holes and a large triple-triple in the back."
"I'm afraid I'll have to confiscate those," he said with a smile. "Thanks Nick."
"No problem John. Say hello to Shelly and the boys for me." Nick said out his window to John as he lifted the rear door up.
"When you're on your way back give a call and stop in for a visit. We'll have a barbecue." Davis said after closing the door and walking up to the driver's side.
"Will do. Have a good day John."
"Safe travels Nick."
Thanks John.
The customs officer went back into his booth and sipped his coffee while the SUV pulled away and continued down Interstate 81. Nick turned the volume back up. The words "Die Waffen - Legt an!" barked from the speakers in Frank Klepacki's most notorious work Hell March. In this case Hell March 2.
I wonder what that translates into?